Trimmed the dog, weed whacked (always more to do), walked to the store, no
writing for several days. A pivotal scene on deck. No pot. No willingness to
write. Hunting a fast housefly. Smoking too many cigarettes. Listening to a
baseball game. Put too much creamer in my coffee cup. Had to pour it back in
the carafe to dilute it. Now I have a whole pot of tan coffee, drinkable after
fixing my error. Reminds me of Aristotle making a little mistake that screwed
up all of Western philosophy, explaining the difference in loaves of bread
(white, wheat, rye, fresh, stale) as "accidents" that didn't change
the "essence" of bread in all examples of bread. In epistemology,
it's called The Problem of Universals. Thomas Aquinas used Aristotle's theory
to explain how bread could be transmuted into the body of Jesus when a priest said
magic words. God allegedly changed the "essence" without altering the
"accidental" appearance and taste of bread. Terrible theology, disastrous
epistemology. Aristotle made a tiny little mistake.
Back to the story I'm working on, middle of the second act.
Here's the situation. Hansje had a crack-up, blamed herself for a little
design error that very nearly killed the man she loves and severely injured the
boss who risked his life to save the hero. Whether the boss will recover is a
toss-up. He lost a hand and forearm, a candidate for terminal cancer. Cosmic
rays go through lead, and a lot of people who live in space die from cancer.
Whether the boss dies or not is unimportant. He might make it. Hansje's design
error wasn't detected, everything tested good, and it was easily fixed. The
boss foreshadowed it, impossible to build a new space vehicle from the ground
up without some trial and error. Splendid teamwork and heroism to rescue her
main squeeze, who forgave her instantly. The injured boss forgave her, no
problem. The second flight of her machine was perfect, a splendid achievement, made
it possible to repair a meteor strike that punctured the colony.
The question is whether Hansje was changed? A little lamb by nature, given
to grumpy complaints and technically brilliant, romantically and sexually
vulnerable, a perfect mate for the hero and crucial to the climax (for reasons
that don't matter right now) how does Hansje handle hostile, somewhat natural
bureaucratic opposition in another department, all by herself? She can't fold
under pressure. Too small to bully anybody.
Good place to be stuck. She needs to exemplify thematic elements of
courage, trust, and loyalty. Not something that I want to approach without
being stoned. I can author See Spot Run scenes sober and straight, but not
transformational ones. This is Hansje's moment to cross an emotional rubicon.
If she can't do it or ducks it, the ending won't make any sense. So I know it
has to happen.
Writing it is something else. Need dope to see souls.
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