Steam Punk got put on hold. I spent a week reading Eight Ruthless Novels,
Vols. 1 and 2, to judge what happened from 1987 to 2018. How long is that? A
lifetime. Thirty years, not counting a previous 30 of camera experiments, kid
plays, teenage comedy scripts, and Hollywood screenplays that didn't always
make a great deal of sense, especially "The Guitar Player From The Black
Lagoon." It was gestated in a Pacific Heights laugh riot among four stoned
hippies and it became extremely bizarre in 3rd draft after meeting Dutch rock
legend Herman Brood at a quiet restaurant in Spaakenburg, trying to help a
talented tormented man ravaged by heroin. He was unable to eat a bowl of soup, escorted
by a burly personal manager who got Herman on stage if he was well enough to perform.
See? I know everything about the raw guts of life and nothing about an
ideal man, which I'm supposed to etch in the heart of hard handsome Billy
Larko, a casino owner. Don't ask. It has to be that way. Ideal men are free,
empowered, untethered, independent. Told to lock down, Larko opened a Testing
Lab in the Bowery. A real enough laboratory, entrance to a three-story
speakeasy with gaming, a showroom and private parlors, expensive top shelf drinks
and reasonably fine dining from 11 pm to 5 am. Out of work Broadway actors wait
tables, earn good tips, and the showroom has a house band with nationally known
vocalists on occasion and a showcase of starlets doing torch standards, Love
For Sale.
I don't want to write Steam Punk, and I have little choice in the matter.
Either I project an ideal man and illustrate precisely what ideal means in
Larko's demeanor and actions, or ... or nothing!
I can't back down without attaining a summit, which is called a cairn in
Scottish hill walking. It sounded okay to me, how hard could hill walking be?
So I went hill walking with my snooker partner John Oliver, a cheerful little
Scot who owned a corner shop. We "walked" almost vertically up Ben
Nevis. It took over three hours of strenuous nonstop effort and it nearly
killed me, staggering, gasping for air. That's what has to happen with Steam
Punk, a murderous hill walk that will take multiple years I might not have.
Here's the deal with hill walking or writing a big literary novel. It
matters every time you ascend another angular step. You do not have the luxury
of leisure, or level steps, or predictable results. All you know for certain is
Don't Slip, pay attention to every inch of a misty clouded mountain.
Kicking around ideas for the third act. Maybe it's the cairn. I have to
create a new style of writing, slave to a silly rock song: "She looked at
me with her big brown eyes and said, you ain't seen nuthin' yet."
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